The Curator hopes to embrace how little magazines tend to treat their writers. Little magazines aren’t just an experimental playground removed from the larger culture, but can operate as a writerly gym, a place to train a writer’s artistic and critical muscles. As Michael Anania, former editor of Audit/Poetry and director of the Coordinating Council of Literary Magazines, has said:
“Little magazines have always functioned primarily for writers. Readers are desirable, sometimes even actively sought out, but the impulse behind most magazines is the writer-editor’s conviction that there are writers who are not being served by existing publications. At their best, little magazines draw together groups of writers and, however marginally, find them an audience.
Being small, The Curator can care about its writers, serve them, stretch them, train them, receive gifts from them—provide a community to work on how you work with words. Every little magazine hopes to publish the best of what it can, but small magazines like us have the capacity to say: Give us your poor, your tired, your hungry, your zombie-ish words. Let’s work on them. Let’s see if they can be resurrected.